In screenwriting , the Hook is an event which creates conflict, generally, within the first 10 minutes of a film, and is responsible for "hooking" the audience into sticking around see how the film ends. One might say the Hook defines the theme of the film while raising a question that must be answered. Without a decent Hook, the audience will begin to question whether or not they unplugged the iron back at home.

Usage

Due to ever-decreasing attention spans it is crucial the Hook be as close to the beginning of the script as possible. Within 10 minutes is good. Within 5 minutes is better. Placement is key.

Format

When creating the Hook, keep in mind that it should raise a question that the protagonist wants an answer to, not necessarily the Central Question but as close to it as possible, thus keeping in line with the theme of the film. Make the audience want more.

Also, remember that the purpose of the Hook is to create a conflict that moves the story along. Events that merely to strengthen the protagonist or add flash to the beginning of a film are simply "fluff" and should be avoided.

Examples

Silence of the Lambs

An FBI rookie, determined to prove herself, is thrust into the dark world serial killers.

Cool Runnings

Though there is no snow in Jamaica, four Jamaicans resolve to enter the Olympics as a bobsled team.

What Women Want

A conceited and chauvinistic advertising executive suddenly finds he has the ability to read women's minds

Liar Liar

A lawyer suddenly becomes incapable of lying.

Lethal Weapon

A beautiful woman with everything to live for, jumps to her death.