production

Your Job - Should You Stay or Should You Go


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On last week’s blog I mentioned talking about PAL and NTSC format, but when I sat down to write I thought I’d take a break from the technical blogging and instead talk about that something that inevitably happens to all of us… The itch to quit our jobs.


Adventures in Authoring - Say No To Copyright Infringement


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 I work as a full time DVD Authoring Engineer. On most occasions, I just build DVD menus and connect them to client provided video assets to create a fully functioning DVD. However there are some times when customers don’t know what they want, don’t know how to get what they want, or in some occasions don’t know much of anything when it comes to the process. Though these clients can be difficult and trying of my patience, these are the times when I tend to learn the most.


Production Run Down - Commercial - PRODUCTION


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Last week I talked about the pre-production phase of a commercial I worked on not too long ago. This week will be about the next stage in a project.

PRODUCTION


Unexpected Consequences Of A Full Time Production Job


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I know at first glance the title of this week’s blog seems moronic. All you’ve ever wanted is to get a full time job as a videographer, editor, sound mixer. Now you’ve got your shot. A client has approached you and said your days of freelancing for them are over and they want you in house. Why in the world would you say no?


What To Do When The Freelance Well Runs Dry


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 I hate to be the bearer of bad news, but there is a strong possibility that you will not have immediate and consistent success as a freelancer. That is not to say that you won’t make money you'll just remember what I said before about putting your earnings back in a savings account. That cash is there to keep you afloat when you are waiting for the next check or the next gig.


3-Step Guide to Field Production in the Wilderness


Olympic Rain Forest & my JVC HD-110

Wilderness: Noun. (1) a  wild and uninhabited area left in its natural condition; "it was a wilderness preserved for the hawks and mountaineers"; (2) a bewildering profusion;  "a wilderness of masts in the harbor". Recently, I've learned all about filming in the wilderness; and under both definitions! Read on for some tips and checklists.


Sometimes you just have to say "CUT!"


Empty Director's Chair

Well, if you've been following the adventures of our little movie project, you'll remember that we had a couple of conflicts. Mostly, these were related to my allowing chaos to reign supreme by not properly assuming command early on. You see, in this production, I am one of four producers, and I am also director and DP.  This in itself isn't too unusual, and wouldn't cause any issues, but I wasn't firm on duties and responsibilities for the rest of the producers and crew, and we ended up with a crowd in control, which rapidly became "mob rule."


Make a Blimp for your Shotgun Mic

Short Teaser for Home Page: 
I needed a Blimp for my shotgun mic, but didn't want to drop $300 to $700 for one, so I made my own.

I found other "how-to" videos, but wasn't satisfied with the look, durability, or construction methods, so I went out on my own to see what I could find.  After visiting the hardware store and the farm supply stores, I found this wire-mesh filter.  At least that's what I think it is.  Watch and learn...

Video: 

My Name is Jerry Production Diary 7: Doug Jones Interview


Doug Jones and Katlyn Carlson on the set of My Name is Jerry (photo by Kyle Peters)

What can you say about Doug Jones? He’s a hard one to capture in just a few words, but if I had to choose just one I think it would be “sincere.” I think it would be easy for an actor to come work with a few pros and a bunch of college kids and roll their eyes every time something went wrong because of it, but I don’t think I ever once caught Dougie in a bad mood. Instead, he was encouraging, thoughtful, and just damn fun to be around (as the embedded YouTube video can prove).


Production Manager

In charge of the financial and administrative details.

Working with the Line Producer, the “PM” is the on-site executive in charge of all the financial, administrative and physical details of the production.  Also known as the UPM (Unit Production Manager), they have the authority to sign contracts and to authorize payments to vendors and service providers while on Location.